Bitcrush

Of Embers

It only makes sense that we begin our coverage with an album from the label boss himself, Mike Cadoo, releasing his fifth album under the Bitcrush alias (see his latest as Dryft further in our next instalment). Picking up where his 2008 album, Epilogue In Waves, left off, Cadoo employs soaring guitars with reverb-drenched synthetic pads, cut-up glitchy IDM clicks and full-on acoustic percussion. With only six tracks adding up to less than an hour, the album effortlessly floats between genres, fusing favourite elements of ambient and post-rock. “Of Embers finds Cadoo looking even further back into his experiences and inner struggles than ever before to create what may be the most hopeful album of his musical career.” Fans of emotional electronica will be delighted to glide along with the downtempo rhythm and the ghostly background vocals of Cadoo himself. Fourteen-minute track, Fray The Middle To Meet The Ends, takes the listener onto a cinematic journey, where textured layers and sonic waves unfold into a new beginning, so very welcome after his last, misleading Epilogue. Overall, Of Embers is a very personal album, bringing the listener closer into the intimate setting of this musician’s world, where the fire slowly crackles and the embers gently glow.  Highly recommended for fans of Hammock, Port-Royal and Lights Out Asia.

Lights Out Asia

In The Days Of Jupiter

That nicely segues into our next entry, doesn’t it? We last heard from this Wisconsin based band, Lights Out Asia, back in 2008, with their release, Eyes Like Brontide. Two years later we are gifted with their fourth full-length release, In The Days Of Jupiter, and it’s a doozy! The album opens up with gentle electronic pads, and cut-up robotic voices – an intergalactic journey is ahead… The second track, “Except Europa”, picks up with tight IDM beats and slowly builds up into the explosion of sound, as we are launched beyond our stratosphere into the outer worlds. The guitars erupt into an expansive wall of frequency rich textures, as we break away from the Earth’s gravitational hold, and float through the ambient layers of the atmosphere. Mike Ystad continues to treat the sound with electronics, as Mike Rush delivers the bass riffs, with a guest appearance by Ayala Trumper on the cello, and of course, Chris Shafer on the mic. The album also employs a few field recordings and a selection of samples credited to freesound.org. “Just as Jupiter eclipses the other planets in our solar systems,  Lights Out Asia have eclipsed expectations by delivering their most expansive album to date.” I couldn’t agree with that quote from the label’s page more… Be sure to pick up this and their previous releases, Tanks And Recognizers and Garmonia.

Dalot

Loop Over Latitudes

The label welcomes a new member to its family with Maria Papadomanolaki first proper full-length debut as Dalot, Loop over Latitudes. From sweeping pads to pulsating electronic beats, Dalot demonstrates her skill at “creating moments of lush ambience, emotion and texture by blending elements of phonography, electro-acoustic composition and minimal electronica with more traditional musical elements such as voice, guitar, glockenspiel and tablas.” Quoting Stars of the Lid, Colleen and Boards of Canada as her inspirations, Maria blends field recordings with glitchy percussion, meditative passages, and reverb drowned voice to create music as cerebral as it is contemplative – each piece presenting a story, “much like one of the novels she once studied in her native Greece”. The album collects three tracks from Dalot’s first EP, Flight Sessions, released by Coo Records in 2009. With this release, Dalot joins n5MD veterans such as Another Electronic Musician, SubtractiveLAD, and Near The Parenthesis to contribute another solid release to the label’s catalogue of emotional experiments in music. Well done, milady, and welcome to the family!

Bitcrush

From Arcs To Embers

Approaching the fourth entry in this instalment of Sound Bytes, I realized that I’ll have to do this as a two-part series, as there are a few more albums from n5MD that I wish to cover. Rounding up this trip through emotional electronica and soaring shoegaze, it’s only appropriate that I return back to Bitcrush. And it seems that there are more than just a handful of musicians who are also fans of Mike Cadoo’s signature sound. Here’s to add a flavour of their own is a remix album, From Arcs To Embers, featuring reworks of tracks taken from all five of his previous albums. If you are a fan of Cadoo’s work and label alike, you’ll truly enjoy this collection of remixes from Jatun, Bersarin Quartett, port-royal, SubtractiveLAD, Near The Parenthesis, Funckarma and many others! Given a wide array of contributing artists, you can expect your favourite Bitcrush tracks reworked in soothing electronica, glitchy IDM and head-bopping downtempo genres. A few good surprises on here. A remix from Tim Ingham (aka Winterlight) of Every Sunday, a leftfield-shoegaze-dream-pop-ambient exploration, leaves me curious to hear more from this Thames Valley (UK) based artist. Watch out for his debut on n5MD! And check out this remix of Colder by Funckarma!

As I wrap up part one of this label special, hopefully leaving you thirsty for more, there’s just one more thing I need to mention! You can download a FREE n5MD Label Sampler, titled MMX, comprised of tracks from the 2010 release schedule, featuring above-covered artists and more! Click this Bandcamp link, and feed your player and head with music. And I’ll be back next week to cover the rest of my n5MD Special… See you then!