James Murray

Careful Now

“… a radiant, soft-focused work of wide-eyed romanticism and childlike innocence…”

London-based composer’s first solo release since 2019, back on Ian Hawgood’s celebrated Home Normal label

“… I’ve become immensely enthusiastic about emotional embodiment… I’d like to evoke specific feelings in the audience during the listening sessions…”

Focus on Głós

“… I don’t distinguish so much between Techno and Ambient. For me, it’s the same: a soundtrack to special moments…”

“… there’s no point in wasting a lot of time on a track which obviously isn’t going to work, the listeners can hear it’s not been fun to work on…”

Luke Howard

All Of Us

“… while the music is a reflection of this artist’s personal journey through isolation, loss, and, ultimately, destiny, it is a work in which we glimpse a little of ourselves…”

Second studio album for Mercury KX by this post-classical Australian composer inspired by the predicament of humanity.

“… I do not have a concrete strategy. I would say it is more philosophy. I try to avoid too much knowledge; that way, I can keep up a playful approach…”

Emilie Levienaise-Farrouch


“… how thoroughly unprepared we are for something almost all of us will experience…”

I see Ravage as a mourning diary – it’s intimate, ritualistic in the sense that some of the methods used are sometimes more to do with their symbolic meaning than with the resulting sound.


For Ukraine Mix

A hand-curated sampler mix of pieces from both volumes of our benefit compilation by ambientblog


Violet Opposition

… the emotional seepage of sound through the newly refreshed bandages of the recently healed wounds…

With Violet Opposition, Brock Van Wey floats the project into murkier waters by adding a layer of overdriven gilding to his trademark sound.