In the studio with Pole
“… I put a lot of focus into the sound design, atmospheric composition, and structure, […] it is the one formula that I use to make my sound audible…”
“… I put a lot of focus into the sound design, atmospheric composition, and structure, […] it is the one formula that I use to make my sound audible…”
OK, I’m starting to dig this Out Today column myself. Every Friday morning I can sit …
“… coalescing with ever-increasing frisson until its eventual ignition…”
“… a slow-burner of an orchestral immersion…”
What forgotten wisdom resides in us?
“… a tranquil and radiant place, slightly subdued in its faint hazy colors…”
“… where fragile tones appear to hang in an infinite amount of space…”
“…I find it very useful to invite people to the studio, to listen ‘through their ears’… even without saying a word, you can tell if a piece works or not just by listening together with someone…”
Lovers of electronica, modern classical, and solo piano music alike follow Richter’s releases and gobble them up with their ears.
“… as one age ends, so another begins…”