In the studio with Gimmik
“… I do not have a concrete strategy. I would say it is more philosophy. I try to avoid too much knowledge; that way, I can keep up a playful approach…”
“… I do not have a concrete strategy. I would say it is more philosophy. I try to avoid too much knowledge; that way, I can keep up a playful approach…”
“… I really embrace the warbly unsteadiness of tapes, the intentional sound degradation, and focus on deeply textural stuff…”
In this episode, Matt Emery chats with the Australian talented composer and pianist, Sophie Hutchings
“… what I seek is to be like an empty vase that I fill by observing and exploring…”
In this episode, Matt Emery chats with the Icelandic composer, Eydís Evensen, who has released her debut album, Bylur, on XXIM Records earlier this year.
“… I’m looking for objects with a story, linked to various people. Every tool I keep is linked to personal memories or has had a previous life…”
“… continuous modulation of all the parameters can create incredible sounds, cover an incredible spectrum of frequencies with wide presence, dynamics, and precision…”
“… I try not to force myself or become afraid of not finding what I need. Very often things just need a bit of time and a fresh mind…”
“… the liberating quality of experimentation is still what excites me the most…”
“There has always been a certain melancholy and nostalgia to my music; however, Lionheart possesses a feeling of rebirth and an audibly more hopeful tone when compared to my past work.”
In this episode, Matt Emery chats with Alex Buhr about the vision behind his new label, XXIM Records, his musical background, setting up Mercury KX.