In the studio with Neil Cowley
“… what I’m trying to do at the moment is bypass the abyss that I can fall down by overplaying the stuff as I write it…”
“… what I’m trying to do at the moment is bypass the abyss that I can fall down by overplaying the stuff as I write it…”
“… the most important aspect to me is to have lovely and inspiring people in the community…”
“… I love the idea that your own projects and your own perception of your ideas, can evolve by themselves when you leave them alone…”
“… there’s always a point where you just have to let it go, and any imperfections left are almost always insignificant in hindsight…”
“… I like to think that we have to find each other throughout life […] and take responsibility for who we are, rather than fantasizing about what we are not…”
“… getting confused by echo – variations on its depth or repetition, or even by its sudden absence – is unique and unexpected and beautiful to me...”
“… music is medicine for both the artist and the audience…”
“… finding sounds is like looking through a jumble sale and finding something that really catches your senses until you become slightly obsessed with it…”
“… I often start a composition by creating a theme with an acoustic-digital filtered sound. Over this, I often try to integrate pure synthetic sounds from a synthesizer…”
“… all the great recordings were made with what people had available to them at the time, and Picasso already knew: when I haven’t got any blue, I use red…”