In the studio with Rutger Hoedemaekers
“… there’s always a point where you just have to let it go, and any imperfections left are almost always insignificant in hindsight…”
“… there’s always a point where you just have to let it go, and any imperfections left are almost always insignificant in hindsight…”
“… I like to think that we have to find each other throughout life […] and take responsibility for who we are, rather than fantasizing about what we are not…”
“… getting confused by echo – variations on its depth or repetition, or even by its sudden absence – is unique and unexpected and beautiful to me...”
“… music is medicine for both the artist and the audience…”
“… finding sounds is like looking through a jumble sale and finding something that really catches your senses until you become slightly obsessed with it…”
“… I often start a composition by creating a theme with an acoustic-digital filtered sound. Over this, I often try to integrate pure synthetic sounds from a synthesizer…”
“… all the great recordings were made with what people had available to them at the time, and Picasso already knew: when I haven’t got any blue, I use red…”
“… the stigma of a performance, especially from on-stage or even from the educational theatre side, has this theme that I can’t relate to…”
“… I put a lot of focus into the sound design, atmospheric composition, and structure, […] it is the one formula that I use to make my sound audible…”
“My compositions are bound by the parameters of where they were created. And so to prevent my creativity from stagnating, I need to change those parameters every now and then…”