In the studio with Neil Cowley
“… what I’m trying to do at the moment is bypass the abyss that I can fall down by overplaying the stuff as I write it…”
Since 2014, our select artists have been sharing their studio setup, working environment, favourite hardware, the process of composition and much more… Look inside!!!
“… what I’m trying to do at the moment is bypass the abyss that I can fall down by overplaying the stuff as I write it…”
“… the most important aspect to me is to have lovely and inspiring people in the community…”
“… I love the idea that your own projects and your own perception of your ideas, can evolve by themselves when you leave them alone…”
“… there’s always a point where you just have to let it go, and any imperfections left are almost always insignificant in hindsight…”
“… I like to think that we have to find each other throughout life […] and take responsibility for who we are, rather than fantasizing about what we are not…”
“… getting confused by echo – variations on its depth or repetition, or even by its sudden absence – is unique and unexpected and beautiful to me...”
“… music is medicine for both the artist and the audience…”
“… finding sounds is like looking through a jumble sale and finding something that really catches your senses until you become slightly obsessed with it…”
“… I often start a composition by creating a theme with an acoustic-digital filtered sound. Over this, I often try to integrate pure synthetic sounds from a synthesizer…”
“… all the great recordings were made with what people had available to them at the time, and Picasso already knew: when I haven’t got any blue, I use red…”