In the studio with Rone
“… the process is ultimately very instinctive, not cerebral […] where I find pleasure is in the raw part, the creation…”
Interviews
In the studio with Shida Shahabi
“… I don’t like habits too much; it’s the variation and the not always knowing that makes the practice exciting…”
In the studio with Aukai
“… I take a lot of inspiration from solitude in nature […] the environment is crucial, much more so than being in a perfect recording studio…”
A Winged Victory For The Sullen
In this episode, Matt Emery chats with Adam Wiltzie of the one and only A Winged Victory For The Sullen
Brueder Selke
Q3Ambientfest
… ambient music has become a pool of musical diversity […] and more about a basic feeling of freedom and an experimental environment…
In the studio with The Album Leaf
“… it starts with sound… experimenting with sound… it truly gets me inspired… it’s what I react to…”
In the studio with John Hayes
“… I like the idea of creating a sonic bed to lie down in, especially in the early stages of a track…”
In the studio with Secret of Elements
“… I froze a bell strike and extended it for hours [and] noticed overtones, hidden sub-tones, and even entire harmonies within that single strike…”
In the studio with Grandbrothers
“… we restricted ourselves to the grand piano as a source [and] the effects are opening up new prospects to transform the sound…”
Clarice Jensen
In this episode, Matt Emery chats with Clarice Jensen, an American cellist and the artistic director of ACME
In the studio with Last Days
“… [I like] introducing new elements to a sample, giving it a whole new character and making it sound old and tired or completely removed from what it originally was…”