Searching for light-years

“… the process is ultimately very instinctive, not cerebral […] where I find pleasure is in the raw part, the creation…”

“… I don’t like habits too much; it’s the variation and the not always knowing that makes the practice exciting…”

“… I take a lot of inspiration from solitude in nature […] the environment is crucial, much more so than being in a perfect recording studio…”

“… it starts with sound… experimenting with sound… it truly gets me inspired… it’s what I react to…”

“… I like the idea of creating a sonic bed to lie down in, especially in the early stages of a track…”

“… I froze a bell strike and extended it for hours [and] noticed overtones, hidden sub-tones, and even entire harmonies within that single strike…”

“… we restricted ourselves to the grand piano as a source [and] the effects are opening up new prospects to transform the sound…”