In the studio with Henrik Lindstrand
“…I find it very useful to invite people to the studio, to listen ‘through their ears’… even without saying a word, you can tell if a piece works or not just by listening together with someone…”
“…I find it very useful to invite people to the studio, to listen ‘through their ears’… even without saying a word, you can tell if a piece works or not just by listening together with someone…”
“… delving into the abyss that is the human psyche…”
“… I don’t feel too bothered about complexity, context, relevance, or reinventing the wheel in music…”
“… I find that ideas need time to mature, or perhaps it’s my perception and experiencing the ideas that need time…”
“Some ideas slip away, like beautiful shooting stars. Others, by dint of playing them, begin to structure themselves. But there are no rules…”
“There’s many things about this place that I find unusual. One of the things I find fascinating is how quiet it gets. It’s the quietest place…”
“… we like to try to make acoustic instruments sound like they are electronic and electronic instruments sound like they are acoustic…”
“… a sampler of the label’s offerings to showcase the catalog and introduce you to new acts…”
“… step into an ancient Australian forest and take a deep breath…”
“My pianos will always be my favorite piece of hardware. They are the most complex, honest, and imaginative gear in my wheel barrel.”