Lawrence English
A Young Person’s Guide To Hustling (In Music and The Arts)
An introduction to the revised three-part series and an updated foreword, One tale of hustling.
An introduction to the revised three-part series and an updated foreword, One tale of hustling.
On my true Headphone Commute between New York and Philadelphia, Spring rushes past the windows of …
“…contorting timbres from the scratchings of the bow against the monster of an instrument…”
A mix prominently featuring one of my favourite contemporary classical instruments
“… I often start a composition by creating a theme with an acoustic-digital filtered sound. Over this, I often try to integrate pure synthetic sounds from a synthesizer…”
Thoughts on sound design in textural, spectral and functional phases; on metric modulations and polytemporal ideas; and on dance music tribalism.
“… when there’s a real beating heart behind what’s played with, there’s a form of emotion conveyed and never played the same way twice…”
… a continuous mix of dreamy mood pieces, so one may prefer playing it at night, maybe lying in bed…
Take a look inside Simon P. Castonguay’s, aka Tambour studio, read up on his composition process and his latest release for Moderna Records
…on the outer reaches of spatial and reductionist pianismEditor’s Note: The following interview appeared as a …