In the studio with Stimming
“… I try not to force myself or become afraid of not finding what I need. Very often things just need a bit of time and a fresh mind…”
“… I try not to force myself or become afraid of not finding what I need. Very often things just need a bit of time and a fresh mind…”
“… the liberating quality of experimentation is still what excites me the most…”
“There has always been a certain melancholy and nostalgia to my music; however, Lionheart possesses a feeling of rebirth and an audibly more hopeful tone when compared to my past work.”
In this episode, Matt Emery chats with Alex Buhr about the vision behind his new label, XXIM Records, his musical background, setting up Mercury KX.
“… we are always trying to tell a story or create a cinematic adventure or experience in our work, and sound design is a huge part of how we create mood and atmosphere…”
A visual piece by Sophie Hutchings on the relationship between beauty and isolation
“… sometimes I hear something […] and I get inspired by its energy and try to find a way to approach it with my instrument…”
“… it gives me joy in making some analog sounds… it’s always a great moment for me to be away from a computer, which I already heavily rely on…”
“… it’s just a question of patience and a love for sound until you feel that the track is complete…”
“… the sonic sculpture is created within the composition and sound, smoothing and subtracting the superabundant and multiplying the necessary…”
In this episode, Matt Emery chats with Robot Koch, who has recently released a new album, The Next Billion Years