In the studio with Clarice Jensen

“… getting confused by echo – variations on its depth or repetition, or even by its sudden absence – is unique and unexpected and beautiful to me...”

In the studio with Biosphere

“… I often start a composition by creating a theme with an acoustic-digital filtered sound. Over this, I often try to integrate pure synthetic sounds from a synthesizer…”

In the studio with Martyn Heyne

“… all the great recordings were made with what people had available to them at the time, and Picasso already knew: when I haven’t got any blue, I use red…”

In the studio with Pole

“… I put a lot of focus into the sound design, atmospheric composition, and structure, […] it is the one formula that I use to make my sound audible…”

In the studio with Snorri Hallgrímsson

“My compositions are bound by the parameters of where they were created. And so to prevent my creativity from stagnating, I need to change those parameters every now and then…”