Interviews

“… a good instrument gives you such deep inspiration and can make you tremble with just one note…”

“… when I start working on an album, I don’t stop until it is ready… it is the only thing I think about…”

“… sounds, images, and movements are all sources of inspiration […] I work like a sculptor, but with sounds, lights and objects…”

“… I really enjoy working with organic sources of audio, finding or recording sounds, which I then start heavily processing in unusual ways…”

“… my role as a performer fulfils me completely […] I don’t feel any frustration in playing other people’s music, I find it a total field of expression…”

“… I’ve always been interested in what gives a piece of music emotional content, which for me derives from harmony as well as melody…”

“… I’ve become immensely enthusiastic about emotional embodiment… I’d like to evoke specific feelings in the audience during the listening sessions…”

“… there’s no point in wasting a lot of time on a track which obviously isn’t going to work, the listeners can hear it’s not been fun to work on…”

“… I do not have a concrete strategy. I would say it is more philosophy. I try to avoid too much knowledge; that way, I can keep up a playful approach…”

“… I really embrace the warbly unsteadiness of tapes, the intentional sound degradation, and focus on deeply textural stuff…”

“… what I seek is to be like an empty vase that I fill by observing and exploring…”