In the studio with Rone
“… the process is ultimately very instinctive, not cerebral […] where I find pleasure is in the raw part, the creation…”
“… the process is ultimately very instinctive, not cerebral […] where I find pleasure is in the raw part, the creation…”
“… I don’t like habits too much; it’s the variation and the not always knowing that makes the practice exciting…”
“… I take a lot of inspiration from solitude in nature […] the environment is crucial, much more so than being in a perfect recording studio…”
“… it starts with sound… experimenting with sound… it truly gets me inspired… it’s what I react to…”
“… I like the idea of creating a sonic bed to lie down in, especially in the early stages of a track…”
“… I froze a bell strike and extended it for hours [and] noticed overtones, hidden sub-tones, and even entire harmonies within that single strike…”
“… we restricted ourselves to the grand piano as a source [and] the effects are opening up new prospects to transform the sound…”
“… [I like] introducing new elements to a sample, giving it a whole new character and making it sound old and tired or completely removed from what it originally was…”
“… I like to work quickly and destructively […] yielding beautiful and unexpected results with a focus on these happy accidents…”
“… I used to lust after the synthesisers and samplers I read about in magazines, but now everything that comes bundled with Logic seems to be more than enough…”
“… a good instrument gives you such deep inspiration and can make you tremble with just one note…”