Morgen Wurde ft. Georges-Emmanuel Schneider

In the past, I have always felt that I was talking to you, my invisible audience, through the haze of these words, and the fog of these sounds, sending messages to wherever you may be, in your own little world. But right now, I know where you are. You are at home. Reading this, hearing this. And although each and every abode is a little bit different, I’m at least a bit certain that you’re not on the beach. This abstract visualization of you helps me curate more music. And today, I am happy to bring you a piece that may go with your mood. As you spend every breath, depleting the precious cycles of time allocated as the only currency you can trade, you inevitably think about life. And, of course, about death. This is where Morgen Wurde comes in, with his latest release, which is “a further breakthrough to the core, emanating sounds which let dissolve all conceivable questions of a man about life and death. Sounds that let all questions appear negligibly.” For his collaborative release, Wurde invites Swiss violinist, Georges-Emmanuel Schneider to contribute to his piece, titled “Sah Voraus,” with the swooping and textural string swells, cinematic drones, and electro-acoustic space. This is what we’re premiering for you here today.