In the studio with John Hayes
“… I like the idea of creating a sonic bed to lie down in, especially in the early stages of a track…”
“… I like the idea of creating a sonic bed to lie down in, especially in the early stages of a track…”
“… I froze a bell strike and extended it for hours [and] noticed overtones, hidden sub-tones, and even entire harmonies within that single strike…”
“… we restricted ourselves to the grand piano as a source [and] the effects are opening up new prospects to transform the sound…”
In this episode, Matt Emery chats with Clarice Jensen, an American cellist and the artistic director of ACME
“… [I like] introducing new elements to a sample, giving it a whole new character and making it sound old and tired or completely removed from what it originally was…”
“… I like to work quickly and destructively […] yielding beautiful and unexpected results with a focus on these happy accidents…”
“… curiosity, trying out new technology, and different forms of synthesis always bring me new ideas…”
An interview with Alex (aka Fields We Found), the founder of this new label
“… I used to lust after the synthesisers and samplers I read about in magazines, but now everything that comes bundled with Logic seems to be more than enough…”
“… a good instrument gives you such deep inspiration and can make you tremble with just one note…”
In this episode, Matt Emery chats with Brian Fennel, also known as SYML